The Execution of Deed Is Sometime Masterfully Done in Most Ingenious Fashion
 | ZNO English Practise Exam eight |  |
You lot are going to read an commodity about the actress Harriet Walter.
For questions ane-8, choose the reply А-D which you think fits all-time according to the text.
Harriet Walter has written a fascinating book virtually her profession. Benedicte Folio reports.
Information technology is not often that an experienced histrion with a loftier public profile will sit down downward to answer in depth the ordinary theatregoer'south questions: how practice you lot put together a graphic symbol which isn't your own?; what is it like to perform the aforementioned play dark after night?; or simply, why practice you lot do it? Harriet Walter was prompted to write Other People'south Shoes: Thoughts on Acting by a sense that many people's involvement in theatre extended beyond the scope of amusement chit-conversation. 'I was asked very intelligent, probing questions by people who weren't in the profession, from taxi drivers to dinner-party hosts to people in shopping queues. It fabricated me realise that people have an interest in what nosotros practise which goes across show business gossip,' she says.
Other People s Shoes avoids insider gossip and, mostly, autobiography: 'If events in my life had had a huge direct influence, I would have put them in, but they didn't,' Harriet says, though she does explain how her parents' divorce was a gene in her career. But the focus of the book is to share - remarkably openly -the inside feel of the stage and the rehearsal room, aiming to supplant the false sense of mystery with a more realistic understanding and respect for the profession.
'There'south a certain double edge to the publicity an player tin arrive the newspapers: it gives you attention but, by giving it to you, simultaneously criticises you,' Harriet says. 'People ask you to talk well-nigh yourself then say, "Oh, actors are and so self-centred." And the "sound-bite" multifariousness of journalism, which touches on many things but never allows you to go into them in depth, leaves you with a sort of shorthand which reinforces prejudices and myths.'
Harriet's career began in the 1970s and has included theatre performances with the Imperial Shakespeare Company and tv set and film roles. She writes wittily most the embarras¬sments of the rehearsal room, as actors try out their half-formed ideas. And she is at pains to demystify the theatre: the question 'How do you do the same play every nighttime?' is answered past a elementary comparison with the familiar car journeying you take every twenty-four hours, which presents a slightly unlike claiming each fourth dimension. 'I was trying to go everyone to understand it isn't this line And so extraordinary mystery and you're not visited by some spiritual inspiration every night.'
Harriet'south ain acting manner is to build up a grapheme slice by slice. She says that this procedure is not widely understood: 'There'south no intelligent vocabulary out in that location for discussing the craft of building characters. Reviews of an actor's performance which appear in the newspapers are mostly based on whether the reviewer likes the actors or not. It's non about whether they are being skillful or non, or how intelligent their choices are.'
At that place remains something mysterious about slipping into 'other people'south shoes': 'Information technology's something similar falling in love,' Harriet says. 'When yous're in honey with someone, y'all go in and out of separateness and togetherness. It's similar with acting and you can slip in and out of a graphic symbol. Once a character has been congenital, it remains with you, at the end of a phone line, as information technology were, waiting for your call.'
Harriet includes her early on piece of work in Other People southward Shoes - 'I wanted to separate myself from those who say, "What an idiot I was, what a load of nonsense we all talked in those days!"; it wasn't all rubbish, and information technology has afflicted how I approach my work and my audiences.' And she retains from those days her belief in the vital role of the theatre
1 Harriet Walter decided to write her book because she
| A | was tired of answering people's questions almost acting. |
| B | knew people liked to read almost evidence business gossip. |
| C | wanted to entertain people through her writing. |
| D | wanted to satisfy people's curiosity about acting in the theatre. |
ii In paragraph two, we learn that Harriet's volume aims to
| A | correct some of the impressions people have of the theatre. |
| B | relate of import details about her ain life story. |
| C | analyse the difficulties of a career in the theatre. |
| D | tell the truth about some of the actors she has worked with. |
iii What problem do actors accept with paper publicity?
| A | Information technology never focuses on the actors who deserve it. |
| B | It often does more impairment than good. |
| C | Information technology never reports what actors have really said. |
| D | It often makes mistakes when reporting facts. |
4 Harriet uses the example of the motorcar journey to show that
| A | interim can be slow as well as rewarding. |
| B | actors exercise not find it easy to try new ideas. |
| C | actors do not deserve the praise they receive. |
| D | interim shares characteristics with other repetitive activities. |
five What does 'it' refer to in paragraph 4?
| A | facing a different challenge |
| B | taking a familiar motorcar journey |
| C | acting in the same play every night |
| D | working with beau actors |
half dozen Harriet criticises theatre reviewers considering they
| A | do non give enough recognition to the fine art of character interim. |
| B | do not realise that some parts are more difficult to act than others. |
| C | choose the incorrect kinds of plays to review. |
| D | suggest that sure actors have an piece of cake job. |
vii Harriet says that after actors have played a particular graphic symbol, they.
| A | may be asked to play other similar characters. |
| B | may become a bit like the character. |
| C | will never desire to play the function again. |
| D | volition never forget how to play the office. |
8 What does Harriet say nigh her early piece of work?
| A | It has been a valuable influence on the piece of work she has washed since. |
| B | It was completely different from the kind of piece of work she does now. |
| C | She finds it embarrassing to retrieve that period of her life. |
| D | She is bellyaching when people criticise the work she did and so. |
| YOUR ANSWER Job 1 | # | A | B | C | D |
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Yous are going to read a mag article about a girl and the job she does.
Seven sentences have been removed from the article.
Choose from the sentences A-H the one which fits each gap (9-fifteen).
In that location is i extra sentence which you do non need to use.
| YOUR ANSWER Job 2 | # | A | B | C | D | E | F | G | H |
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| xv |
You are going to read an article near people who changed their jobs.
For questions 16-30, choose the people A-D.
The people may be chosen more than than once.
| YOUR ANSWER TASK 3 | # | A | B | C | D | Eastward | F | Yard | H |
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For questions 31-42, read the text below and decide which reply А-D best fits each gap.
One of the most hard simply rewarding of pastimes is mountain climbing. The modernistic climber must (31)_____ many different skills. Rock climbing (32)_____ a combination of gymnastic ability, imagination and observation, but peradventure the well-nigh necessary skill is existence able to (33)_____ out how much weight a item rock will (34)_____ Mountaineers climb in groups of iii or four, each climber at a altitude of approximately 6 metres from the next. Usually one person climbs while the other climbers (35)_____ hold of the rope. The most experienced climber goes offset and (36)_____ the other climbers which way to get, making the rope secure so that it is (37)_____ for the others to follow.
With much mountain climbing, snow skills (38)_____ a very important part. Ice axes are used for (39)_____ steps into the snow and for testing the footing. Climbers always tie themselves together so that, if the leader falls, he or she can be held by the others and (40)_____ dorsum to prophylactic. The number of dangers (41)_____ by climbers is almost endless. And the (42)_____ of oxygen at high altitudes makes life even more difficult for mountaineers.
| 31 | A ain | B agree | C control | D possess |
| 32 | A requires | B insists | C calls | D orders |
| 33 | A work | B try | C stand | D set |
| 34 | A supply | B provide | C support | D offer |
| 35 | A go on | B stay | C continue | D maintain |
| 36 | A indicates | B signals | C points | D shows |
| 37 | A safe | B certain | C undecayed | D reliable |
| 38 | A human action | B practise | C play | D make |
| 39 | A cutting | B tearing | C breaking | D splitting |
| 40 | A given | B pulled | C put | D sent |
| 41 | A marked | B touched | C felt | D faced |
| 42 | A need | B gap | C lack | D need |
| YOUR Reply TASK four | # | A | B | C | D |
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